– Sets the level balance between the dry signal and the wet signal. This parameter allows you to switch between different reverb types ( Studio, Hall, Plate, and Room). – Changes the level of the high-frequency portion of the incoming signal. – Changes the level of the mid-frequency portion of the incoming signal. – Changes the level of the low-frequency portion of the incoming signal. – Sets the time after which the gate closes. Signal levels above the set threshold trigger the gate to open, and signal levels below the set threshold close the gate.
– Determines the level at which the gate is activated. The higher this value, the more distortion is created. – Fuzz creates a rather harsh distortion effect. – Works as a filter effect on the added harmonics. The higher this value, the more harmonics are added to the output signal of this effect. – Overdrive creates a tube-like overdrive effect.
This way the delayed signal stays rather dry during loud or intensely played passages. If the level of the input signal is low, the portion of the effect signal is raised (high internal mix value). If the level of the input signal is high, the portion of the effect signal is lowered, or ducked (low internal mix value). This parameter can be synchronized to the project tempo. The Delay parameter sets the delay time in milliseconds. – Tape Ducking Delay creates a delay effect known from tape machines with a ducking parameter. – Tape Delay creates a delay effect known from tape machines. – Sets the number of repeats for the delay. A setting of 0 means that the voice is muted. – Adjusts the level of the signal that is generated two octaves below the original pitch. – Adjusts the level of the signal that is generated one octave below the original pitch. By raising this value, more of the original signal is heard. A value of 0 means only the generated and transposed signal is heard. – Adjusts the mix of the original signal and the generated voices. – Governs the depth of the amplitude modulation. – Allows you to set the modulation speed. Higher settings produce a more metallic sounding sweep. – Determines the character of the flanger effect. – Determines the width of the modulation effect between higher and lower frequencies. Higher settings produce a more pronounced effect. – Determines the depth of the chorus effect. – Sets the time after which the gain returns to the original level. Signal levels above the set threshold are cut off. – Sets the amount by which an input signal is being compressed. – Controls the level of the signal passing through the effect. On each page, every effect can be used once.Įach effect features an On/Off button known from stompbox effects, as well as individual parameters. On both pages, the same effects are available, the only difference being the position in the signal chain (before and after the amplifier). On the Pre-Effects and Post-Effects pages, you can select up to six common guitar effects.
The color and texture of the area below the amplifier indicate the selected cabinet. These buttons open different pages in the display section of the plug-in panel: Pre-Effects, Amplifiers, Cabinets, Post-Effects, Microphone Position, Master, and Configuration.īelow the display section, the selected amplifier is shown. It offers a choice of amplifiers and speaker cabinets that can be combined with stomp box effects.Īt the top of the plug-in panel, there are six buttons, arranged according to the position of the corresponding elements in the signal chain. Overview of the Project Window (05:28)Ĩ.VST Amp Rack is a powerful guitar amp simulator.
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